![]() Burroughs as subliterary, mere popular culture icons, vacuous self-promoters, and even inciters of juvenile delinquency.Īs Norman Podhoretz wrote in "The Know-Nothing Bohemians," his 1958 attack on the Beats in Partisan Review, " On the Road and The Subterraneans are so patently autobiographical in content that they become almost impossible to discuss as novels." Podheretz grants the Beats great, albeit negative, influence when he claims that "juvenile crime can be explained partly in terms of the same resentment against normal feeling and the attempt to cope with the world that lies behind Kerouac and Ginsberg." These attacks, along with the pop-culture image of the beatnik-as embodied by the iconic, goatee-wearing slacker Maynard G. The creators and guardians of the modernist canon dismissed Beat writers such as Allen Ginsberg, Jack Kerouac, and William S. All the Beat Generation writers occupy a contested space in conversations about American literature. ![]()
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